“The studios truly don’t understand how their efforts to kneecap the writing profession have radicalized WGA Members,” wrote Krister Johnson ( Murderville). “Lemme give you a hint: First class, economy … doesn’t matter where you’re sitting. “Not sure studios are digesting what happens if we tear apart the whole plane mid-flight,” wrote Emily Andras ( Wynonna Earp). Mike Royce ( One Day at a Time) added about the studios rejecting AI regulation: “Hahahaha this is the same shit they tried to pull 15 years ago when we asked for jurisdiction over this crazy futuristic thing that they said it was too soon to talk about called ‘the internet.'” “Do … do studio executives really wanna play the ‘Whose job can be replaced with AI?” game?” “Is there a more insulting response to a proposal than ‘What if, every year, we made you watch a Powerpoint about how we disagree?'” wrote Aaron Fullerton ( Gossip Girl) about the WGA’s claim that studios rejected a proposal to proscribe the use of AI to write or rewrite material. This has driven home how important it is for all of us to stand our ground.” “I naively hoped we’d be closer on this, even if we did strike. “I’m disappointed and disgusted by the number of ‘rejected our proposal, refused to counter’s I’m seeing in the report on the negotiations,” wrote Bryan Cogman ( Game of Thrones, Rings of Power). And writers generate far too much profit for them to accept it. “But a future where we accept what the companies are trying to do - low paid, freelancer writing gigs with no job security - is much scarier. “This is scary,” wrote Ashley Nicole Black ( Full Frontal With Samantha Bee). and I’m not talking about, like, jeff bezos. … The same people refusing to pay writers for the content they create for these billion dollar companies - or even offer health and pension benefits - are making, in some cases, $50 million. … Studios are trying to undo decades of precedent about how TV works & how writers get paid by keeping viewership a secret so they don’t have to pay us commensurate with the success of the content we write for them. The studios want to turn it into a gig economy where millionaires can exploit us at will to please shareholders. “All we want is for writing to remain a sustainable career. “Writers are asking for less per year than what fox paid in one defamation suit,” said Sal Gentile ( Late Night With Seth Meyers). Instead, they’re going to lose billions - and still give us a deal.” They’re going to wind up giving us what we need - a fair deal that makes writing for TV and movies a sustainable profession. “Instead of a modest increase for the people who make their product, this will cost them billions - and they’re still gonna lose. “It’s disappointing that the studios let ego get in the way of their fiduciary duty to their shareholders,” wrote David Slack ( Magnum P.I.). We are powerful as long as we stand together.” What we are asking for is more than reasonable. We won’t survive something like that … Absolute nightmare. “According to the WGA negotiating committee, the studios are pushing for a ‘day rate’ for comedy/variety writers,” wrote comedian and TV writer Sara Schaefer. That was the counter.” And when a reader snarked that Hollywood writing has gotten lousy, Simon shot back, “Eat a bag of stale, unsalted dicks, you smug little squib.” “Ask the sonsabitches to explain their reply to our proposal to have minimum staffing levels for set coverage and postproduction where WGA is performed: Unpaid internships for younger writers. “Looks like it’s time to cancel my streaming services,” wrote David Simon ( The Wire). “They shut down an entire industry rather than part with less than 3% of their record profits,” wrote Javier Grillo-Marxuach ( Lost). Strike Diary, Week 1: "The AMPTP has Utterly Lost the PR War"
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |